To fully appreciate The More the Merrier, it is important to know that, during WW2, there was an acute housing shortage in Washington DC. This is why elderly Benjamin Dingle (Charles Coburn) is obliged to share a tiny DC apartment with pretty Connie Milligan (Jean Arthur) and handsome Joe Carter (Joel McCrea). After nearly two reels of misunderstandings, the trio becomes accustomed to their curious living arrangement. Joe takes a platonic liking to Connie, but she's engaged to stuffy bureaucrat Charles J. Pendergast (Richard Gaines). Sizing up the situation, foxy Benjamin contrives to bring Connie and Joe together, in spite of themselves. Things get dicey when Joe endeavors to complete a top-secret mission for the Air Force, which leads to all sorts of comic complications and misguided remonstrations. Throughout the film, director George Stevens and the four-man screenwriting staff deliberately tweak the noses of the Hays Office, getting by with any number of censorable offenses by deftly and tastefully sidestepping the obvious. Especially potent is the scene in which Joe tries to seduce Connie by talking about everything except seduction: it's also fun to watch Dingle robustly repeat the word "Damn" over and over, getting away with this breach of censorship because he's quoting Admiral "Damn the Torpedoes" Farragut. An Academy Award went to Charles Coburn, while nominations were bestowed upon Jean Arthur, Joel McCrea, George Stevens, the screenwriters, and the film itself. The More the Merrier was remade in 1966 as Walk Don't Run, with Cary Grant, Jim Hutton and Samantha Eggar.

To fully appreciate The More the Merrier, it is important to know that, during WW2, there was an acute housing shortage in Washington DC. This is why elderly Benjamin Dingle (Charles Coburn) is obliged to share a tiny DC apartment with pretty Connie Milligan (Jean Arthur) and handsome Joe Carter (Joel McCrea). After nearly two reels of misunderstandings, the trio becomes accustomed to their curious living arrangement. Joe takes a platonic liking to Connie, but she's engaged to stuffy bureaucrat Charles J. Pendergast (Richard Gaines). Sizing up the situation, foxy Benjamin contrives to bring Connie and Joe together, in spite of themselves. Things get dicey when Joe endeavors to complete a top-secret mission for the Air Force, which leads to all sorts of comic complications and misguided remonstrations. Throughout the film, director George Stevens and the four-man screenwriting staff deliberately tweak the noses of the Hays Office, getting by with any number of censorable offenses by deftly and tastefully sidestepping the obvious. Especially potent is the scene in which Joe tries to seduce Connie by talking about everything except seduction: it's also fun to watch Dingle robustly repeat the word "Damn" over and over, getting away with this breach of censorship because he's quoting Admiral "Damn the Torpedoes" Farragut. An Academy Award went to Charles Coburn, while nominations were bestowed upon Jean Arthur, Joel McCrea, George Stevens, the screenwriters, and the film itself. The More the Merrier was remade in 1966 as Walk Don't Run, with Cary Grant, Jim Hutton and Samantha Eggar.

在这个春天走入社会的前田先生在10平方米的小屋子里开始了一个人的生活，然而这所公寓的房东是名——

前田先生（近藤隆 配音）是一位二十三岁的平凡青年，过着标准的朝九晚五上班族式生活，走在人群中毫无亮点和特色。近日里，前田先生由于工作的缘故搬了家，让他没有想到的是，他的房东竟然是一位名叫里中千惠（久保由利香 配音）的初中女生。 　　步入社会后的生活日复一日的在平静之中流逝着，拥有傲人身材但喜欢可爱之舞的宫村雪（山崎惠理 配音）、心宽体胖热爱画画的金本樱（和田京子 配音）、运动万能的体育委员植野真由（木户衣吹 配音）、喜爱料理温柔贤惠的森明日香（中岛由贵 配音），这些千惠的好友们在不知不觉之中渗透了前田先生的生活，给他的人生带来了一抹靓丽的色彩。

前田先生（近藤隆 配音）是一位二十三岁的平凡青年，过着标准的朝九晚五上班族式生活，走在人群中毫无亮点和特色。近日里，前田先生由于工作的缘故搬了家，让他没有想到的是，他的房东竟然是一位名叫里中千惠（久保由利香 配音）的初中女生。 　　步入社会后的生活日复一日的在平静之中流逝着，拥有傲人身材但喜欢可爱之舞的宫村雪（山崎惠理 配音）、心宽体胖热爱画画的金本樱（和田京子 配音）、运动万能的体育委员植野真由（木户衣吹 配音）、喜爱料理温柔贤惠的森明日香（中岛由贵 配音），这些千惠的好友们在不知不觉之中渗透了前田先生的生活，给他的人生带来了一抹靓丽的色彩。

始于一桩智慧财产的掠夺事件，但在故事的发展与演变过程，却幽微地内化为人与人之间自觉或不自觉的掠夺与占有，那或许正是法国精神分析大师雅各．拉冈说的“欲望黑洞”，各种令人费解的人类行为底下，交织著各种欲望磁场。 无论多么复杂的欲望黑洞，也无论它带来什么样的复杂因果，人类终究必须透过本身的主动作为，展开一场救赎行动。而它最终或许都可回归到最单纯的抉择，最单纯的善念。诚如本剧的剧名：《小孩．大人》，最终，透过这对父子之间最纯粹的爱，他们救赎了自己，也救赎了别人。

始于一桩智慧财产的掠夺事件，但在故事的发展与演变过程，却幽微地内化为人与人之间自觉或不自觉的掠夺与占有，那或许正是法国精神分析大师雅各．拉冈说的“欲望黑洞”，各种令人费解的人类行为底下，交织著各种欲望磁场。 无论多么复杂的欲望黑洞，也无论它带来什么样的复杂因果，人类终究必须透过本身的主动作为，展开一场救赎行动。而它最终或许都可回归到最单纯的抉择，最单纯的善念。诚如本剧的剧名：《小孩．大人》，最终，透过这对父子之间最纯粹的爱，他们救赎了自己，也救赎了别人。

赴纽约淘金的阿普尔盖特（Ginger Rogers 饰）在经历了几份不长久的工作之后彻底厌倦了这座城市，在她眼里，男人不过是一群举止轻浮的登徒子。但她购火车票回乡的时候发现自己买不起一张全票，情急之下将自己打扮成小女孩，购半票蒙混上车。 　　为逃避乘务员检票，阿普尔盖特藏匿卧铺车厢，巧遇科比少校（Ray Milland 饰），年轻少校把她看做孩子，用温柔天真的方式待她，不巧被未婚妻帕梅拉误会，阿普尔盖特只得随少校暂住军校以澄清误会，期间十几岁的军校学员们对“少女”阿普尔盖特前赴后继，搞出连串笑话，少校与阿普尔盖特的情意也在渐渐滋长。分离的时刻到了，两人将如何对待这份感情？ 　　本片是编剧比利·怀尔德（Billy Wilder）的导演处女作。

赴纽约淘金的阿普尔盖特（Ginger Rogers 饰）在经历了几份不长久的工作之后彻底厌倦了这座城市，在她眼里，男人不过是一群举止轻浮的登徒子。但她购火车票回乡的时候发现自己买不起一张全票，情急之下将自己打扮成小女孩，购半票蒙混上车。 　　为逃避乘务员检票，阿普尔盖特藏匿卧铺车厢，巧遇科比少校（Ray Milland 饰），年轻少校把她看做孩子，用温柔天真的方式待她，不巧被未婚妻帕梅拉误会，阿普尔盖特只得随少校暂住军校以澄清误会，期间十几岁的军校学员们对“少女”阿普尔盖特前赴后继，搞出连串笑话，少校与阿普尔盖特的情意也在渐渐滋长。分离的时刻到了，两人将如何对待这份感情？ 　　本片是编剧比利·怀尔德（Billy Wilder）的导演处女作。

春菜（甘利遥 饰）是小学五年级的学生，她是一个充满活力、不服输且充满竞争力的女孩，而浩幸则是一个老实的昆虫爱好者男孩。他们第一次在公园里相遇，并迅速成为了亲密的朋友。然而，一天，他们在公园里做了一些不应该做的事情，即“偷食了禁果”。 　　随着春菜在学校接受性教育课程，她开始怀疑自己是否怀孕了，但她无法向成年人倾诉。面对自己逐渐增大的肚子，春菜和她的朋友们决定用他们孩子时代的力量来保护这未出生的小宝宝。然而，美香（伊藤梨沙子 饰），班上的班长，提出让她堕胎，但春菜坚决决定要生下这个小生命。另一方面，班上的八木老师（麻生久美子 饰）也因此事而陷入困境，班级陷入混乱之中，面临着崩溃的危险。